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Sep 20, 1982
Dance producer Liz Thompson moderates a conversation with Anna Kisselgoff, the chief dance critic for The New York Times. Kisselgoff explains how she came to dance criticism, emphasizing her interest in writing and seeing dance performances as larger influences than dancing herself. She argues that the primary job of a critic is not to educate the public about dance, but to report specific details about performances and analyze those details. Thompson and Kisselgoff also discuss the development and evolution of modern dance and current trends in the world of American dance. The discussion is followed with questions from the audience.
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