The Elie Wiesel Living Archive

at The 92nd Street Y, New York. Supported by The Elie Wiesel Foundation for Humanity

Satan: The Image and Concept in Ancient Jewish Texts

God's Agent and Victim

Oct 22, 2009

Asking a total of 203 questions, Professor Wiesel begins with “What is Satan doing at the Y?” and continues with questions about Satan’s purpose since creation, his connection to good and evil, and what it means, according to Jewish legends, that Satan is God’s agent and victim. Professor Wiesel is perturbed by a Midrashic interpretation that God involves Satan with Abraham and Job in order to save the world. Professor Wiesel reads from his play called The Trial of God; set in 1649 during the Chelmnitzky pogroms, a survivor, Berish, acts as prosecutor, wanting to know who willed the killings. Professor Wiesel admits, it is “a horrendous dialogue… The questions hurt. But how can one not speak up?” As Professor Wiesel teaches, our tradition allows us to question God, provided it is within faith. Professor Wiesel concludes by saying that whatever the situation, he favors the art of questioning but that it is necessary to remember that while the question of the believer is painful, that of the non-believer is absurd.

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Subthemes:
1) Why choose Satan as a theme
2) Satan, Adam and Eve
3) Samael and the creation of humankind
4) Noah
5) The eternal “other side”
6) Rabbinic views
7) Why does Satan test the righteous?
8) Satan and the sin of the golden calf
9) Satan and King David
10) Satan and Abraham, Isaac, and Sarah
11) Satan and Job
12) The mysterious relationship of God and Satan
13) Satan in the Talmud
14) Hasidic tales of Satan
15) Satan's role in Professor Wiesel's play, The Trial of God
16) A second look at the relationship between God and Satan
17) While the questions of the believer may be painful, those of the non-believer are absurd
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