92NY’s Goldman Center for Children and Family provides an exceptional array of programs designed to support children at every stage of their development.
Make sure words are spelled correctly.
Use less specific or different keywords.
Make sure words are spelled correctly.
Use less specific or different keywords.
Mar 10, 2025
Tove Jansson spent much of her life on a barren, wind-swept island in the Gulf of Finland, painting, writing, and constructing a universe that would become one of the most beloved in modern literature. A writer of crystalline prose and a cartoonist of effortless wit, she is best known for The Summer Book, a novel of quiet, elemental beauty, and for the Moomins — those strange, tender creatures who have, for eight decades, inspired an almost cult-like devotion across Europe and beyond.
Jansson’s work — unruly, melancholic, fiercely independent — transcends easy categorization. It is queer in every sense of the word. It is at once intimate and grand, defiant and gentle, deeply personal and utterly transportive. The Moomins, ostensibly for children, explore exile, loss, and the search for home with a depth that has drawn comparisons to The Little Prince — and Proust. Meanwhile, her novels and short stories, many only recently rediscovered by English-speaking audiences, reveal a writer of astonishing range, as deft at psychological nuance as she was at capturing the wild beauty of the Nordic landscape.
Now, as Tove Jansson becomes the subject of a film starring Glenn Close, and as The Moomins and the Great Flood marks its 80th anniversary, a panel of writers deeply attuned to Jansson’s work — Alexander Chee, Leanne Shapton, Rivka Galchen, and Kate Zambreno — join moderator Makenna Goodman for a conversation about the restless imagination that fueled Jansson’s life and art. What was it about her vision that continues to captivate? Why does her world feel more necessary than ever? Join us for an evening of readings, reflection, and celebration of a singular literary force.
“Tove Jansson was a genius.” — Philip Pullman
“Her style is not at all ‘poetic’ — quite the contrary. It is prose of the very highest order; it is pure prose. Through its quiet clarity we see unreachable depths, threatening darkness, promised treasures.” — Ursula K. LeGuin
© 2026 The Young Men’s and Young Women’s Hebrew Association
All Rights Reserved.
All material accessed via the 92NY website (“content”) is protected by copyright under U.S. Copyright laws and is the property of The Young Men’s and Young Women’s Hebrew Association or the party credited as the provider of the content. You may not copy, reproduce, distribute, publish, display, perform, modify, create derivative works, transmit, or in any way exploit any such content, nor may you distribute any part of this content over any network, including a local area network, sell or offer it for sale, or use such content to construct any kind of database. You may not alter or remove any copyright or other notice from copies of the content accessed via 92NY’s website. Copying or storing any content except as provided above is expressly prohibited without prior written permission of 92NY or the copyright holder identified in the individual content’s copyright notice.
If you are a rights holder and have found your material on our website for which you have not granted permission (or is not covered by a copyright exception under US copyright laws), please contact us so that we may obtain and document accurate rights-related information. Upon email request to archive@92ny.org, we will temporarily remove material from public view while we address any rights issue and will honor takedown requests from authors who do not wish to have their work published.