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A homecoming, decades in the making.
Doug Varone and Dancers returns to 92NY to mark its 40th anniversary and the closing of a chapter, celebrating a long and generative relationship with the place the company called home from 2007 to 2015. Over those years as the Harkness Dance Center resident company, Varone brought his signature blend of kinetic intensity, emotional depth, and formal clarity to our stages, including the creation of the Harkness Dance Festival’s Stripped/Dressed series, inviting audiences into the creative process before performance.
Founded in 1986, the company has built a body of work defined by its humanity, musicality and expansive reach, spanning concert dance, theater, opera, and film. With 11 Bessie Awards and performances across the US and internationally, Varone’s choreography is celebrated for its physical rigor and emotional resonance, as well as its ability to forge a direct connection between dancers and audiences.
This anniversary program draws from the company’s rich repertory, offering a look across decades of work that continues to evolve. Part of the Home season, this return is both a reflection and a renewal: an artist revisiting a place of deep history and bringing it into the present.
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Award-winning choreographer and director Doug Varone works in dance, theater, opera, film, and fashion. His New York City-based Doug Varone and Dancers has been commissioned and presented to critical acclaim by leading international venues for over three decades.
In the concert dance world, Varone has created a body of works globally. Commissions include Paul Taylor’s American Modern Dance Company, The Limón Company, Hubbard Street Dance Chicago, Rambert Dance Company, Martha Graham Dance Company, Batsheva Dance Company, Bern Ballet, among others. In addition, his dances have been staged on more than 100 college and university programs around the country.
In opera, Doug Varone is in demand as both a director and choreographer. Among his productions at The Metropolitan Opera are Richard Strauss’ Salome, the world premiere of Tobias Picker’s An American Tragedy, Stravinsky’s Le Sacre du Printemps, designed by David Hockney, and Hector Berloiz’s Les Troyens. He has staged multiple premieres and new productions for Minnesota Opera, Opera Colorado, Washington Opera, New York City Opera, and Boston Lyric Opera, among others. His numerous theater credits include choreography for Broadway, Off-Broadway and regional theaters across the country. Recent projects include directing and choreographing MasterVoices production of Dido and Aeneas at NY’s City Center, starring Tony Award winners Kelli O’Hara and Victoria Clark, staging Julia Wolfe’s Pulitzer Prize winning oratorio, Anthracite Fields for the Westminster Choir and the Bang on a Can All-Stars and choreographing the MasterVoices revival of Kurt Weill’s musical Lady in the Dark at City Center.
Varone received his BFA from Purchase College where he was awarded the President’s Distinguished Alumni Award. Numerous honors and awards include a John Simon Guggenheim Fellowship, two individual Bessie Awards, an Obie Award, a Doris Duke Artist Award, the Jerome Robbins Fellowship at the Bogliasco Institute in Italy, and the Lifetime Achievement Award from the American Dance Guild.
2026 marks Doug Varone and Dancers’ 40th year of creating and touring work. On the concert stage, in opera, theater and on the screen, Varone’s kinetically thrilling dances make essential connections and mine the complexity of the human spirit.
Since its first performances at PS122 in 1986, the company has performed in more than 125 cities in 45 states across the U.S. and in Europe, Asia, Canada, and South America. Stages include The Kennedy Center, Lincoln Center, Brooklyn Academy of Music, San Francisco Performances, London’s Queen Elizabeth Hall, Toronto’s Harbourfront, Moscow’s Stanislavsky Theater, Buenos Aires’ Teatro San Martin, the Venice Biennale, Marble Hall in Tokyo, and the Bates, Jacob’s Pillow and American Dance Festivals. In opera and theater, the company regularly collaborates on the many Varone-directed or choreographed productions that have been produced around the country.
Doug Varone and Dancers are among the most sought-after ambassadors and educators in the field. For the past 20 years, the company’s annual summer intensive workshops at leading universities have attracted students and professionals from around the globe. The DEVICES Program, a mentoring initiative for emerging choreographers began its pilot year in 2014. This unique program mentors 10 artists over the course of several months in the creation and presentation of new works. Other educational initiatives include Virtual Varone, a program which creates virtual residencies around the globe and the Education/Performance Project which enfolds college dance students into the company’s repertory, directly sharing the stage with company dancers. The Project has been a cornerstone in the company’s teaching and mentorship programs, creating an important dialogue with young dancers about their artistry and the effect they can have in the world today.
Varone, his dancers and designers have been honored with 11 Bessie Awards. The Company’s creative output is as varied as Varone’s interests. Recent projects include: everything is fine, a full evening movement play based on the poems of Billy Collins, with a new score by David Van Tieghem; The Scrapbook, a digital journal of 10 films created and directed by Varone, set to iconic songs from the 1940s-50s and Somewhere, Varone’s acclaimed non-narrative version of Leonard Bernstein’s West Side Story, and To My Arms/Restore set to Handel. The Company’s Summer Workshop will be held in New York City from June 8-19, 2026. To learn more about this program and other Company activities, visit dovadance.org.
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