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More than two centuries after Jane Austen published Sense and Sensibility, we’re still falling for the Dashwood sisters, and still finding new ways to tell their story.
Following our celebration of Jane Austen’s 250th birthday last year, and on the heels of Georgia Oakley’s new film adaptation of Sense and Sensibility starring Daisy Edgar-Jones and Esmé Creed-Miles in theaters this fall, Francine Prose, Radhika Jones, and Sadie Stein join The New Yorker’s Critics at Large cohost Alexandra Schwartz for a lively conversation about Austen’s dazzling first novel — and the seemingly inexhaustible appetite for bringing her work from the page to the screen.
At the heart of Sense and Sensibility are two sisters with radically different ways of moving through the world: Elinor, governed by restraint and reason; Marianne, by feeling and romantic conviction. Around them, Austen constructs a wickedly funny consideration of money, marriage, social performance, heartbreak, and desire.
What is it about Austen that makes us keep coming back? What survives when a novel gets adapted for the screen? How does Oakley’s new film stack up against Ang Lee’s 1995 version starring Emma Thompson, Kate Winslet, Hugh Grant, and Alan Rickman? What separates a great adaptation from a merely faithful one?
Don’t miss Prose, Stein, Schwartz, and more guests to be announced for a look at why, more than 200 years later, we’re still finding new ways to fall for Jane Austen.
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Francine Prose is the author of twenty-three works of fiction, including the highly acclaimed Five Weeks in the Country; The Vixen; Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised 1974: A Personal History, Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honors, including a Guggenheim and a Fulbright and a Director’s Fellow at the Center for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College.
Sadie Stein is a writer, critic, and editor whose work focuses on books and culture. A lifelong New Yorker, she is an editor at the New York Times Book Review and lives on the Upper West Side of Manhattan with her husband and son.
Alexandra Schwartz is a staff writer at The New Yorker and a cohost of the magazine’s culture podcast, Critics at Large.
Radhika Jones, the former editor-in-chief of Vanity Fair, is at work on a memoir titled Bookish. She previously held senior editorial roles at The New York Times and TIME magazine. She has a Ph.D. in English and Comparative Literature from Columbia, and serves on the boards of CARE and The Paris Review.
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